Portabello Restaurant Bar and Grill

Portabello Restaurant and Bar on South Parade in Oxford's Summertown.

We were asked to assist with refurbishing this extremely popular premises, working with the owner to develop his aesthetic vision for the transformation, we provided design advice and working solutions throughout the process. The turnaround refit was 12 days in total which was achieved for a re-launch just before Christmas.

The general concept was to marry elements of Victorian charm and contemporary Soho house chic to give a warm, harmonised functional and aesthetic space, close, expansive, crisp and bright, and create a space to reflect their reputation for quality, providing a fitting backdrop for their renowned menu.

Particular attention was drawn to the need for less intrusive lighting whilst promoting a real sparkle. Ceiling spotlights were inset to help reduce glare and all lighting was placed on dimmers. The pendent lighting which we used as a subtle signature piece we dotted around the bar and over the seating to the right of the bar are from Northern lighting based in Sweden.

Beautiful cast bronze wall lights with an innovative cold cathode Carat squirrel cage bulbs (a breakthrough invention as alternative to the traditional energy inefficient incandescent version) are by renowned Belgian lighting company Tekna.

The entrance welcomes with its victorian patterned tiles which make an immediate statement - creates a greater sense of space and has attitude. At the entrance we also included lots of antique mirror work vertical and horizontal with borders of moulding, and moulded panel work used repeatedly throughout to add texture and a version of gentleman's club warmth. This can be seen quite clearly in the inky green snug area to the left of the bar. 

As the space when you enter seems to divide into halves we intentionally made the decision to work with some of the through bar views and using mirror where necessary to give reflection of other spaces and angles that gives a better and useful sense of wholeness. 

The tanned, distressed leather banquet seating was existing and became a strong

player in the colour dynamics of the space. The rich blue green holds its own and relates the strong victorian aesthetic element perfectly. 

The beautiful blown glass pendents travel down the line of the banquet seating. Close to the bar we designed and produced a wine storage/display cabinet painted in a very dark blue with integrated LED lighting that highlights the space with a level of sweet shop visual treat.

A waiter and serving station was created in panelled woodwork with Carrara marble, which made the link between guest and food deliberately close. Clean white marble tops and a mosaiced pattern slip glazed metro tiles to the wall, add a playful charm. They also highlight the scale of the room, bringing the front and rear into view at the same time and giving each of these spaces equal status.

This project was an absolutely pleasure to work on, and has been a hit - with even the restaurant's most loyal regulars. For more details about Portabello, visit their website here 

Extension with Leicht Kitchen and Nigel Slater Inspired Folding Doors

A Victorian townhouse was brought into the 21st century with a new full width, 9 metre extension devised through collaboration with architect Keith Durham, that houses the kitchen and dining spaces. The premise of the project was to increase the ground floor space  giving better functionality to the house and to allow the family to experience a greater sense of freedom within it. Alongside the extension and kitchen shown here, our brief was to apply a smart townhouse aesthetic throughout in a refurbishment of the whole property.

The a wall of folding doors, and exotic and rich teak parquet flooring were integral to the clients wishes as they represented very strong and important aesthetics. Working with the charm of the original Victorian house, we wanted to produce a bright, modern, crisp space, that linked through from the original by using the warmth and detailing of flooring and joinery.

The kitchen design was devised alongside Martin Williamson of InHouse Kitchens, featuring Leicht furniture and Seimens appliances, and the top is a honed matt white composite stone top, which on the island wraps around the two ends. The bank of full height units in a brushed and textured copper oak cleverly conceals the integrated appliances whilst adding texture and substance to the room. The units are double thickness and appear in certain frames as a large mass. Units on the back of the kitchen side add a great deal of extra storage whilst consuming a small but light cloakroom and lavatory snugly separated from the living spaces. Patent double glazing along the one side of the extension floods light through giving that sense of openness that characterises modern living.  Ligne Roset furniture further enhances the dining space. In the far corner of the bank of units a tambour unit conceals a pull out coffee maker and other kitchen aids.

The folding sliding doors are bespoke joinery units made for us by Stuart Barr Joinery, informed by the look of the Nigel Slater bi-folds in Nigel Slater's Simple Cooking.

The whole scheme was devised with the addition of a fireplace set into the existing chimney void. Initially it was to be a functioning proving oven but was revised to a multi-fuel stove for increased warmth and celebration throughout. Below shows the integrated scandi fireplace with valuable log storage space below. 

For drama and purpose over the island we used three Circus pendents from Innermost. They are sprayed black on the outside with a copper gold look on the inner. Other lights used are under shelf task lighting  just above the sink area and on upper cheek of the ceiling, three discrete white Hero spot lights to add an extra degree of function.

Below are examples of some of the design material we prepared and used for the process of client communication.

exterior view of side extension and bi-folding doors

The whole of the ground floor received further treatment, turning what was the old kitchen into a library and media space and upgrading the dining room into a more formal space for entertaining. For continuity the teak herringbone flooring extended throughout the whole of the ground floor complete with a  double edging detail.  The pendent lighting is a fabulous mouth blown crystal glass piece by design studio Atelier Areti named Kirschlag. Two lamps were commissioned and occupy this and the adjoining sitting room / library.  Both have differing lightly feather etched patterns and are exquisite with or without light.

The round ceiling rose, as so often happens in these types of properties, disappears over time and it is often a great event putting them back as they add focus and elegance to a room.

Upstairs we updated bathrooms, including this one shown with encaustic patterned cement tiles from Portugal, which we also adopted for the exterior facelift to the front of the property.

colourful tiles- a North Oxford house: Living room

We worked in this area along side the kitchen (see north oxford house: kitchen) area.

It is a wonderful room with lovely aspects to all sides; the double doors linking to the kitchen, a beautiful fireplace, huge windows to one wall and double glass doors to the front garden. There are privacy shutters and the light enters the room in really pleasurable way. 

lounge view with duncan grant tiles set into the fireplace

It was very exciting to continue with the themes that we set up in the kitchen and utilise them in a different way. This project was all about a modern take on the arts and crafts movement; taking traditional ideas about handcrafting and applying modern techniques and designs. We attempted to make no single item stand out, but make sure that alll the items within had uniqueness. The flooring from kitchen continued with white oil wax throughout. The application of the oil wax is a very time consuming process that requires a lot of attention and many layers are required over virgin wood. At the heart of the room is the 'Arne' sofa by BB Italia, its almost 3m long and strikingly curved. We didn't want the formality of the kitchen area to impede and direct the shape and function of the lounge and so to break free from the restraints of linear sofas (which tend to inhabit the area along a wall!) we plumped for this sofa with its gentle curves and low profile, so as not to restrict the views outside. The fireplace has vibrant hand-painted Duncan Grant tiles set in - an interesting and quirky contrast of highly traditional grand carrera marble and rustic art and crafts most likely dating from the early '20s and injecting a little bit of Charleston to the house. Around the fireplace - we constructed units that have carved panels for frontage. The images I conceived as small narratives, where nature and industry are intermingled in some way. A bird flys by electrical wires or a tree grows up through a broken, abandoned chair. The units were sprayed green to co-incide with the kitchen colours, both symbolise the power of nature to overcome industrial adversity.

In front of the sofa; a wonderful commissioned piece by Amy Kent. A handmade rug designed around lines and shadows in pavements.

the lefthand unit; 'silver birch'

sparrow about to land (detail)

A fascinating detail, the legacy of the old house were the victorian servant bell pulls, visible immediately next to the Carrera marble fireplace.

Along the line of the cornice we again brought through the Album system of lighting i.e. suspended cables that extend from one side to the other with lighting modules positioned as required.

detail of one of the light module

There was a real emphasis on lighting - whilst the suspended Album lighting was dimmable, floor and table lamps were used to create task and gentler lighting. The lamp that you see in the main image above is the Secto floor lamp by finnish designer Seppo Koho.

Shelving in the shapeof English Walnut (unplaned), still with a sawn appearance and with waney edge was used to mount the electronics. 

A mural in the reverse tonal range was created on the closing full height panels, representing helibores. We painted the mural on the walls behind the shutters, so that when they are open, the effect is somewhat abstract; when the doors are closed, the picture becomes complete.

Above one of the walnut units (left in picture) we framed a marimekko fabric image for the owner. The style slotted in rather well. More marimekko fabric appears on the sofa cushions which we created. The addition of random vintage buttons to the cushions adds extra interest.

All in all the scheme has some amazing features that sit well in this natural, artistic environment.